Author Spotlight: Mark Fine Gets 5 Minutes for Fighting!

Jeremy – Welcome to the Penalty Box, Mark Fine! How are you doing today?

Mark: Fine thanks, or ‘well’ if the intent is not to confuse my state of health with my name.

Speaking about names, Jeremy, we share one—Jeremy. But it’s my middle name. As family legend goes, my mum and her best friend were both pregnant. They both loved the names Jeremy and Mark. So they struck a deal; the first to give birth would get naming rights!  So I became Mark Jeremy Fine, and out there somewhere is a Jeremy Mark…

Jeremy – The name Jeremy is a solid one. As a card carrying member of the Jeremy Club, please allow me to welcome you to the group.

First thing’s first, why don’t you tell everyone a bit about yourself. How did you end up getting suckered into this harsh reality that is “being an author?”

Mark: My true vocation is record industry exec and producer. Been around the music creative process my entire work-life, working with super successful artists. I’ve gone from physically pressing vinyl at the factory, to producing a hit single in a Manhattan studio. However, I never wrote a song…

Source: Author Spotlight: Mark Fine Get 5 Minutes for Fighting!

TWISTED TALES: 15 Literary Lies & Epic Yarns: “Karmic Odds” by Mark Fine

Short Story Review by Elizabeth Newton

Mark Fine B&W (72dpi)WebI must confess Mark Fine is one of my favorite indie author’s. I further confess his short story contribution to Twisted Tales, Karmic Odds, is one of my favorite stories in the collection. With the same adept use of prose he shows in his full length novel, The Zebra Affaire, Fine weaves a tale that is both compelling and disturbing.

Beginning with an easy pace, relating the trials and tribulations of a rather unpleasant marriage, Fine sets the tone for the story. From Roxanne’s first vitriolic outburst at long suffering Gerhard I wanted to smack her in the head. Unlike the poor man’s cheerful mother, Roxanne makes dinner time an Olympic event in castration by words; a contest Gerhard is doomed to lose. Escaping from her viper’s tongue Gerhard travels back in time to a memory that begins pleasantly before turning to a more disturbing recollection.

This is where Mark Fine spins his best magic web. He has a knack for bringing the past to life, embracing the reader with vibrant historic events, making his reader comfortable in the membrane of notable occurrences. Gerhard may have had loving parents in post war Germany but his happy if simple life is turned upside down when he is forced to leave his family behind and travel across the sea to the United States. It is in the golden west, with its sunny beaches and fifties rock and roll that Gerhard meets his future bride, Roxanne.

Roxanne’s “chameleonesque” personality may have sent up warning flags but like many men who have succumbed to beauty and the attentiveness of a stunning woman, Gerhard pushed his reservations aside.  He made the “beach-tinted” “breath of fresh air” his wife.

It would seem at this point the story would have a happily ever after conclusion but that is not to be. This is the story of a woman who is both superstitious and greedily demanding and her foreign born brow beaten spouse. It is the tale of lucky numbers and lottery tickets. It is the account of a man who sets a juicy trap for a conniving bitch. The conclusion of this story is as delicious and sweet as the Slurpee Gerhard consumes at the local 7-11.

Kudos to Mark Fine for not only driving the knife in to the hilt but twisting it skillfully and making me almost jump up and shout out “hurray”! Upon completion of reading this short story I was able to sit back and smile with the satisfying comment, “Karma is a bitch”.

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Brain to Books Blog Tour: Today’s Featured Author, MARK FINE | Bio, Book Excerpt, Reviews & Interviews

Brain to Books Blog Tour

Fast Facts

Author: Mark Fine

Genre: ​Romance / Suspense / Historical Drama​

Books:  The Zebra Affaire: An Apartheid Love Story​ from The Sub-Saharan Saga​

Official Site

​Bio

Mark Fine (1)​Mark Fine was born in Johannesburg, South Africa. He has made the United States his home since 1979, living in New York, Minneapolis, and Los Angeles.
For four decades he has worked alongside world famous recording artists. He eventually launched his own award-winning record label, Hammer & Lace, with a mandate to produce benefit albums in support of such causes as breast cancer awareness, at-risk children, and wildlife conservation.
For these philanthropic initiatives Mark was voted by Varietymagazine as the “Music Executive with 20/20 Vision.” He has also contributed articles to entertainment industry publications, and conducted public speaking engagements at multimedia events.
​ ​
Now he resides in the South Bay, where he lives with his two sons, his “significant other” and Charlie, a neighborhood dog that drops in from time to time. There he wrote the historic romance novel,The Zebra Affaire. Set in apartheid South Africa, Mark brings an insider’s perspective to the gripping account of a bi-racial couple’s forbidden love.​

Accomplishments

​Finalist. BGS Best ​Book 2015 Award, Dublin, Ireland

Blurb

Mark Fine (2)Apartheid, South Africa

In the spring of 1976 matters of the heart are strictly controlled by racist doctrines. In that toxic mix of segregation and tribal mistrust, an unlikely union between a black man from Malawi and a white woman—an Afrikaner—shocks the nation unaccustomed to such a public affair. All sides across the color divide are represented in the interracial couple’s painful journey in an unaccepting world. The lovers find themselves in the crosshairs of the racist regime’s cold-blooded enforcer, Mal Zander, who will stop at nothing to crush their union and future hopes for a colorblind nation.

The intimate and emotional love story of Elsa and Stanwell is exposed for all to see under the harsh glare of television, newly introduced. In a narrative that’s intense—vividly authentic, and thought provoking—the reader will witness Elsa and Stanwell’s desperate fight to remain together—as the apartheid nation waged a deadly struggle for liberation…and eventual redemption in the guise of prisoner #46664, Nelson Mandela.

Review

It is not often a book as intensely dazzling as “The Zebra Affaire” by Mark Fine comes along. A forbidden love story takes place against the dramatic background of 1970’s South Africa and apartheid. Fine draws you into the story cautiously, laying the groundwork for the eventual affair between Elsa and Stanwell. By gently educating the reader with the background of the conflicts in South Africa, awareness of the difficulties faced by the star crossed lovers is enhanced. This is more than a racial segregation issue; there is a deeper issue brewing in South Africa. Tribal conflicts cause significant damage to a country beset by violence and political unrest.

As the love of Elsa and Stanwell grows deeper and more intense they are assisted by some to strengthen their bond. While segregation forbids open encouragement of their union, friends support them quietly. But the strict Afrikaner regime stands against them if not publicly at least in a behind closed doors attack on their union. While they flaunt their affair the government seems to stand in stunned silence as the world looks on. But the fanatics behind the scenes are both appalled and disgusted by their obvious sexual relationship and strive to expose and punish them for breaking hundreds years old laws.
With vibrant descriptions of both the beauty and ugliness of South Africa the story weaves its way to an intense climax. Waiting for the resolution of the love affair the reader will also wait for the resolution of apartheid. Knowing the eventual outcome of South African politics and the rise of Nelson Mandela it is easy to anticipate the same result for Stanwell and Elsa.

I highly recommend this lush and beautifully written story. Fine’s use of words is akin to an artist’s use of the palette; this is not a black and white story, this is a rainbow story with the rich colors of lives in turmoil. In a word, it is brilliant. If I could rate it higher I would do so.

Read an Excerpt

He needed to make it right. Elsa had misunderstood him. She believed he’d rejected their child and made a mockery of their love. It upset Stanwell that she wouldn’t accept his explanation that he was preoccupied by a cruel government stalking them. And that his immediate concern was for her safety, leaving him little room to truly grasp her good tidings.

So he returned to the way of his people, and prepared for Elsa a love letter—made from primitive colored beads.

Stanwell carefully harvested the beads from a family heirloom, a ceremonial loincloth of his mother’s that she in turn had inherited from her mayi. His mother had thrust the rolled leather apron into his grasp as he set to leave Malawi for the City of Gold, and, with tears in her eyes, had wished him the blessings of his ancestors.

 His message to Elsa would not be in words, but in colors. Stanwell patiently threaded tiny antique beads into a delicate necklace of such intricate design it belied his rugged, workman-like hands.

The beaded chain was predominantly yellow—the color of corn touched by the sun—and signified fertility and wealth. Hanging from the center was the rectangular “love letter”—a chevron of black and white beads trimmed with red and pink. The charcoal-black beads pledged marriage, the ivory white beads promised spiritual love, and the red beads—juicy-red like pomegranate seeds—vowed strong, physical love. But the single tier of pink beads, the color of Elsa’s lips, was the most significant; these shiny little beads declared Stanwell’s commitment to the birth of their child.

⧑⧒

Elsa accepted the uniquely crafted peace offering. She was touched by his handiwork, and the effort and thought he’d put into its creation. Happy tears rolled down her cheeks as Stanwell gently described the significance of each colored bead. At the moment he placed the necklace around her neck, Elsa’s hand reached up for his, and then she turned to face him. Stanwell cupped her face in his hands—a bas-relief in ebony and alabaster—and held her close. No longer doubting his intent, Elsa raised her lips to his. Tenderly they kissed their sorrows away.

Impetuously Stanwell knelt at Elsa’s feet. He placed his lips on her belly and kissed it. Then on his knees he began an earnest conversation with her tummy, whispering away in his mother tongue.

Elsa had never heard him speak the language of his people before. “What were you saying to our child?” she asked.

Stanwell first touched his fingers to his lips and then to hers. “Hush, I was speaking to our son,” he said.

“A son! How do you know it’s a boy?”

“I know,” he said quietly.

Elsa saw the conviction in Stanwell’s face; there was no doubt. She then knew it to be true. A trill of excitement coursed through her body. For the first time it was real; in her belly, created by their love, was their son. A boy destined to become a unique individual, a manifestation of the union of two great heritages, with skin a beautiful coffee hue. Such a child would be incapable of bigotry and tribalism.

“How could the white half of him hate his black half, or vice versa?” Elsa said softly to Stanwell. “He will be our wonderful gift to Africa.”

 As they gently affirmed their belief in each other, all was still except for music that filtered into the room from somewhere in the backyard. It was mesmerizing. The melody and rhythm remained steadfast, yet as the minutes passed, evocative layers of complexity were added. Both Elsa and Stanwell were fond of the recording, and knew it by the name “Mannenburg.”

But the anguished cry of the saxophone soaring over the hypnotic strains of the keyboard meant something else, something hopeful for Elsa and Stanwell. This plaintive masterpiece by Dollar Brand was the birth of a wonderful new sound called Cape Jazz—a fusion of American jazz and local Marabi music from the District Six township—another unconventional, yet fruitful meld of two musical forms and cultural traditions.

⧑⧒

It was dark—probably after midnight. Stanwell was already in motion. Something had alerted him, something rustling by the window. Then the barking started.

Elsa woke. “What is it?” she asked.

“It’s Leo. He’s barking outside our window.”

“Ridgebacks don’t really bark. Something must be wrong.”

Stanwell, about to lunge through the door, stopped in his tracks. A fusillade of snarls and growls had replaced the barking; then a volley of frantic curses, “Jy’s ‘n dood hond ! Jy is ‘n duiwel !” [You’re a dead dog! You are the devil!], filled the night, followed by pounding footsteps and a thud as a body made hard contact with the fence, then he heard the desperate night caller scramble to safety.

Stanwell opened the door. A proud Leo—panting, salivating—stood with a trophy in his jaw. It was the ripped back pocket from a now tattered pair of jeans.

At daybreak, among the churn of muddied footprints they discovered an overstuffed man’s wallet. Inside was the firearm license and driver’s license of a certain Ulrich van Zyl. Elsa and Stanwell recognized the face; it was “Thick,” one of the monsters who’d attempted to rape Elsa in the elevator.

Crass reality had forever invaded their discreet oasis. It was a chilling development. Stanwell hugged Elsa to his chest. Mal Zander’s stooges were closing in. Yet still Stanwell couldn’t bring himself to tell Elsa about his clash with the Security Branch operative. And he hoped he would never have to do so.

Interview with Mark Fine

Angela B. Chrysler: I want to take a moment to welcome Mark Fine, author of THE ZEBRA AFFAIRE available on Amazon: http://bit.ly/ZebraAffaireKindle

Thank you so much for speaking with me, Mark. Please take a moment to tell us about your book. Tell us, how did you come up with the idea for your book?

Mark Fine: Thank you Angela for chatting with me. Though they don’t realize it, I would have to credit my two sons. I have this belief that if a people don’t know their history, they are destined to be forever lost. It was important to me that my sons learned about their African roots from their father; but my personal story isn’t that interesting. So I chose to couch the story from the perspective of far more intriguing characters, that of Elsa (who’s white) and Stanwell (who is black) and their daring romance of the no-no kind. The cruel dynamics of the love-struck couple’s story under the racist regime of then South Africa is all theirs, but the place and time that I inserted them is very much mine.
ABC: Stories always require some form of research. What kind of research did you do for your book?

MF: Besides reference works and letting my fingers stroll through the universe that’s Google, I went on safari. In capturing the romance and exotic location for The Zebra Affaire, I had the privilege of viewing many wild creatures in their natural habitats—a life-affirming experience that I strongly suggest for others. Being in the bush, tracking game (with camera, and not firearm) is not a bookish, academic pursuit, which was a welcome change. The composite of the senses are vital to telling a story that’s authentic. And as the climax of the book is resolved in the African bushveld, what better place to begin the writing process.


ABC: Which scene or chapter was the hardest for you to write?

MF: It’s less about a specific scene, than the challenge of ensuring the reader understood the arcane nature of South Africa’s apartheid rules. Without the reader truly appreciating the jeopardy Elsa and Stanwell faced in that turbulent society, the novel would not have the impact it deserved. So, instead of footnotes or endnotes—both devices that pull the reader away from the narrative, I created what critics have favorably called “anywhere notes.” These I inserted within the context of the story. In the wonderful reviews Zebra has received, these “anywhere notes” have been applauded. Readers now better understand the societal construct of the time, and Elsa and Stanwell’s story became more meaningful, touching and emotional.


ABC: Please describe your favorite scene or chapter in your book and tell us why it’s your favorite?

MF: The challenge was to set the stage for this unlikely union; a white woman and black man falling in love, at great personal risk, in a bigoted apartheid world. I don’t wish to reveal too much, but emergency events surrounding a catastrophe was the vehicle I used. Without a solid foundation to establish their relationship, and at the same time reveal the cruelty of apartheid, well, the novel would not have succeeded so handsomely. Fortunately this establishing scene worked, and as such it has become my favorite.


ABC: Which of your characters, do you relate to the most (or) who is your favorite character and why?

MF: The patriarch in the book, a character known by the initials DGF is certainly my favorite. He holds moral authority, decency and strength in an unkind world. Certainly flawed, but he represents all the honorable and kind people of South Africa who tried to make life easier for discriminated majority. He understood that bigotry was dehumanizing, and worked to make a difference. I’d like to believe that DGF is a reflection of my personal sensibilities.


ABC: I once read that every author is simply a compilation of his/her favorite authors. Which authors have done the most to influence your writing and why?

MF: Always enjoyed substantial books that both entertained and informed. It was such a pleasant way to learn. Without a doubt Herman Wouk, Leon Uris, Ken Follett, and South African authors Wilbur Smith, Andre Brink shaped me. I’d like to add Alan Furst to that list. He’s my current favorite.


ABC: “Story” has always been the center of all human cultures. We need it. We seek it out. We invent it. What does “story” mean to you?

MF: Of course, “story” takes me back to being a child, and the best moments were being read to. I was fortunate that my granny owned a private library in Johannesburg, and she shared with me her joy of the printed page. So many stories, and so many rich memories preserved in my mind.


ABC: Tells us about your next project.

MF: The Zebra Affaire is set in 1976 South Africa. I’m considering remaining in sub-Saharan Africa, and setting my next novel, The Hyena Affaire in 1978 Rhodesia (now known as Zimbabwe). I’m in the process of developing the outline, character profiles, and continuing research. Though my books are set back in time, and on a continent many are unfamiliar; the themes are relevant today, considering the tribal turmoil in the Middle East, as an example.


ABC: Where can we find you and your book?

MF: The Zebra Affaire is available in both paperback and Kindle editions. It can be purchased at Amazon, Barnes & Nobles and other fine retailers. For convenience the Amazon link for the Paperback is:http://bit.ly/ZebraAffaireNovel and the Kindle: http://bit.ly/ZebraAffaireKindle

ABC: Thank you again, so much for speaking with me.

MF: You are welcome, Angela. I enjoyed discussing my work with you.

Connect with Mark Fine

Official Website

Fine Books

Mark’s Blog

Famed theatre critic and playright Robert Brustein checking out Mark Fine’s novel THE ZEBRA AFFAIRE

Famed theatre critic, producer, educator and playright Robert Brustein checking out THE ZEBRA AFFAIRE. He founded both Yale Repertory Theatre in New Haven, Connecticut and the American Repertory Theatre in Cambridge, Massachusetts, and is the theatre critic for The New Republic. He comments on politics for the Huffington Post.

Honored!

Robert Brustein Doreen Beinart

NELSON MANDELA: A Legacy Not Honored

Much has happened since Nelson Mandela’s passing, and none of it is good. In Mandiba’s absence the “Rainbow Nation” he so valiantly struggled to build has turned decidedly gray.

Nelson Mandela Wallpaper Design By mRm

The magnificent vision of Africa’s great statesman has been selfishly squandered and corrupted by the lesser men that unfortunately succeeded him.

The current incumbent of South Africa’s presidency, Jacob Zuma, being the most egregious. Zuma has eroded the institutions of government (both the constitution and the checks-and-balances of democracy) by his flaunting display of self-interest, corruption and tribal cronyism; all in his effort to protect his illicit financial gains by using that nation’s treasury as his personal piggy bank.

Zuma

Alas, I anticipated this. In the closing chapter of my South African themed novel The Zebra Affaire I wrote the following as a final coda:

But former prisoner Nelson Rolihlahla Mandela had no desire to become a sovereign: he relinquished the power voluntarily—so refreshing on a continent where provincial tyrants strive to rule forever.

But here I remain fearful (though I dearly hope to be proven wrong). Mandela was the nation’s talisman—his very presence held the various peoples of South Africa on a rainbow path of dignity and equality, and by his noble example all tribal rivalries were set aside and all were welcomed at the table.

But now he’s gone, I fear the quiet vow of loyalty to his vision of a united South Africa will be abrogated. With Mandela no longer living, lesser mortals will not feel bound by any allegiance to the “Father of the Nation”; instead, in a lust for power, they will once again unleash the tribal tensions that have forever plagued the continent.

But rather than dwell on the bleak let us be hopeful that in remembering Mandela’s legacy, the South African people will duly honor his life by electing future leaders, based on merit, not cronyism.

(How about a woman? Now that would be something!)

In doing so they would honor the hope and desire for all-equality, with no single individual above the law.

Indeed, that was Nelson Mandela’s life’s work. 

EVERY STORY NEEDS A HOTZ SOUNDTRACK!

It was time to visit my friend, Jimmy Hotz. It was time “The Zebra Affaire” met its music maker. Those who don’t know Jimmy, he’s the archetypical myriad-minded music man: musician, record producer, electronic music pioneer, and Inventor. His “Hotz Box” is often at the heart of many a great recording: Fleetwood Mac, Dave Mason, B.B. King, and Yes.

Our friend, Mark Fine came by the other day to get a first hand look at the SpaceHarp. He was kind enough to give us an autographed copy of his book, “The Zebra Affaire”, a fast-paced, suspenseful tale about the racial divide in South Africa in the 1970s. Mark was a long time record executive, with PolyGram, Universal and Hammer & Lace.

Jimmy haJimmy Hotz and Mark Fine 20150606_221313_Master_25pcs recently invented a new instrument, the SpaceHarp!

Extraordinary!

It made a music maestro out of the least of us (Me!).

I certainly DID! After 4 decades in the music biz, this was the first time I experienced playing pure music, myself! Not being a musician I’ve never before known the joy of creating music. Indeed it was magical.

After Jimmy reads “The Zebra Affaire” we will explore a music soundtrack–written together, that’s inspired by my book’s South African blended love story.

NOTE: The Hotz Translator Software transforms ones gestures on the SpaceHarp into all the right notes for the desired chords and scales in music performance. The SpaceHarp is a new manifestation of a concept invented by David Clark and John Gibbon, originally called the Light Dancer. Jimmy did a complete redesign of the electronics and programmed the firmware, which makes it function. So, while Jimmy is the inventor of the Hotz Translator Software and contributed significantly to the SpaceHarp, proper credit should be given to David Clark and John Gibbon. David Clark also worked with Jimmy on the current mechanical design of the SpaceHarp.

BAD KNEES, GOOD BOOK

Or, How my messed up knees contributed to my new vocation as an Author…

It was my MRI, but the mournful expression on the face of the white-coated orthopedic surgeon suggested he was grieving for his own legs. “Bone-on-bone on both knees,” he said. “You have craters where you once had cartilage.”  Now I had an explanation for the excruciating pain that had robbed me of my mobility.

“Okay, doc. What would you suggest I do next?”

1471-2474-11-167-1 (1)

Would you like this bionic cyborg device in your body?

THE BLEAK ALTERNATIVE

Ever so proudly, as if he presenting me with a Grammy award, the surgeon handed me a gleaming replica of the Stryker Scorpio knee replacement system. I took one glance at this bionic, slash cyborg, device—more like a prop from the Terminator  movie franchise—and fled, or more precisely flopped away on my two gimpy knee’d legs.

SHEER TERROR AND A LIMITED UNIVERSE

I was terrified. Knee replacement surgery seemed akin to gross amputation. Why the necessity for this traumatic procedure, twice—on each knee, I wondered? Surely this is a simple patch job; the biological equivalent of filling in a pothole?

With certainty I knew this was something I wouldn’t do, but as I searched for an alternative solution the pain persisted and my universe shrunk. No more tennis, and no more walks on the beach, no more soccer games, no more travelling, and even obligatory visits to the grocery store became too taxing. In fact, only vanity prevented me from applying for a disabled placard to allow me to park my car a few yards from my destination.

Inevitably I resigned myself to a future marooned on my bum. At least my bum didn’t hurt…at least not yet.

1246406328-charcoal_boot_leg

No! This is NOT a picture of MY bum.

So, what’s a poor guy to do stranded all day on his butt? Watch TV? Tried and done that. And then an absurd notion entered my head, “Why not write a book…”

Now I am not a Luddite. I’m well aware that the earth is round and technology is crazy cool. My resistance to bionic knees was not a foolish quest to invalidate the wonders of modern medicine. Quite to the contrary, I admire medicine. But in this instance, to me, “the punishment did not fit crime” and the recommended remedy was far too draconian. Hence I began the first tentative steps into ‘authordom.’ With computer in hand (or hand on mouse) I now used the wonders of modern technology as my primary research tool.

BOOK RESEARCH FULFILLED A QUEST

Bound to a chair I travelled through the universe and the ages; and visited the arcane and cruel laws of South Africa’s apartheid regime (the topic of my book)—without ever leaving my desk. Google and Bing replaced the library and index card system of yore, and brought all knowledge to my desk seemingly at my bidding. And from this foundation of dedicated research, my romantic-suspense, historical novel “The Zebra Affaire” began to take form and reveal its true shape.

ZA Kindle and Paperback Mock up copy

Here’s the obligatory plug of my novel. You are welcome to buy it at Amazon.com and other fine retail outlets. Thank you 🙂

Now we’ve reached the heart of this story; a “circle of life” thing—that still fills me with wonder—kind of happened. You see the book owed its very existence to the plight of my poor knees, and seemingly in a selfless act of gratitude this same book chose to show pity on my knees and reciprocated in kind.

EUREKA! A SOLUTION

One day when researching the specifics of the bloody massacre of black school children during 1976 Soweto Riots—I was suddenly transfixed by the search engine’s seemingly arbitrary highlight of something called stem cell regeneration of knee cartilage. And so I followed these crumbs of information that my grateful book had offered me. Apparently I had finally found the asphalt patch I’d been seeking for my pot-holed knees.

An innovative medical group, a modest two-hour drive from my home, was pioneering the procedure. They instructed me to bring my MRI (which I then pried from the grasp of the protesting orthopedic surgeon) to the initial appointment.

Anxiety skyrocketed. It was vital I qualified for the program. Fortunately both knees did; I experienced a similar euphoria as if my two knees had graduated college magna cum laude.

WHAT KNEES? LIVING PIN CUSHIONS…

Now I will spare you the gory details (as there were none: no scalpel, no chain saws, no staples, and no sutures). But there were lots and lots and lots of needles (and some sedation). It would be fair to describe my needle-sprouting knees as living pin cushions during the meticulous stem cell “seeding” procedure.
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An intimate portrait of one of my two prickly knees. And yes, it did hurt. I was awake during the process…

MOBILITY RECOVERED AND NOVEL PUBLISHED

Twenty months have come and gone since stem cells harvested from my own body were carefully inserted beneath each knee cap. I used the time well, finishing off my novel, and designing both the front cover and the book’s interior. And as I labored the stem cells did their share of the work.

All now is well! “The Zebra Affaire” continues to receive splendid reviews (76 of them to date, Thank you!) for which I continue to be both humbled and grateful:

I see Pulitizer Prize material here…” readerJeanne Mary Allen

“Intensley dazzling!” Elizabeth Newton, author of “The View from the Sixth Floor”

“Scorching!” Charlie Flowers, author of “Hard Kill”

“If I could, I would give it six stars!” reader Enrico Grafitti

“A masterpiece at All levels…,” Ilana Edelstein, author “The Patron Way”

“A book to savour slowly…I found myself re-reading whole paragraphs, such was the quality of the writing. One of the best books I’ve read this year.” Jean Gill, author of ‘Song at Dawn’.

Clearly my pen is well indebted to my long suffering knees! As for my ability to walk—it is now a joy to be fully engaged, zooming about,  speaking at book clubs and book signings—with barely a twinge in either knee.

A little more about me: here

Introducing you to a remarkable woman of Africa, THANDI LUJABE-RANKOE

Introducing you to a remarkable woman, THANDI LUJABE-RANKOE; Freedom fighter, Senior South African Diplomat and Author. 

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Exiled for 33 years during South Africa’s liberation struggle (at the time Nelson Mandela was imprisoned on Robben Island).

Finally, she came in from the cold and President Mandela appointed, now Ambassador Lujabe-Rankoe, as her free nation’s High Commissioner to Botswana, and then Mozambique.

 “Now it is time for justice to be applied to all.”Thandi quote

Needless to say this courageous woman’s kind words regarding  The Zebra Affaire means a great deal to me. She has lived it, and continues to devote her life to the idea that “it is time for justice to be applied to all.”

AUTHOR READING [Video]: “Hotel Rendezvous” THE ZEBRA AFFAIRE by Mark Fine

More than a daring, multi-racial romance set in a racist South Africa in 1976 on the cusp of abandoning apartheid; the tension is palpable in this character-driven novel. The Zebra Affaire by Mark Fine grips your soul and won’t let go. Never mind zebras, think lions, raw and roar!

“The Zebra Affaire” is a romantic historical drama that fills each page with soul and love, yet serves as a damming condemnation of apartheid South Africa. The novel features two lovers; Elsa a white woman and Stanwell, a black man. A crime in the land of apartheid. This excerpt, read by the author Mark Fine, tells of the couple’s first romantic–but illegal–rendezvous in a plush Johannesburg 5~star hotel.

To buy Kindle edition:

Amazon Worldwide: http://hyperurl.co/i958xl

Amazon USA: http://bit.ly/ZebraAffaireKindle

Website: http://booklaunch.io/mjfine/markfinea…